Dec. 27th, 2016

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Originally published at Alpennia.com. You can comment here or there.

I ran across a lovely comment about Mother of Souls on Twitter: "[HRJ] continues to set the gold standard for her subgenre." (Of course, now I'm idly speculating on which of the several possible subgenres could be meant.) Rest assured that I will continue to try to be a gold standard for whaterver I'm writing. Oh, but of course today's blog title refers to the artist in the excerpt below!

It keeps getting harder and harder to select teasers that don't give away key plot points. I think this one will do. Princess Anna has been commissioning portraits of selected members of her court, including some monumental works that show off what she considers some of her key assets. One of those key assets is her Royal Thaumaturgist, Margerit Sovitre, but another is her alchemist, Antuniet Chazillen. The princess has hired a peculiarly talented painter, Olimpia Hankez to depict the creation of the mystic gemstones that sealed Antuniet's appointment, and that calls for a reunion of the haphazard team that helped to create them. Jeanne is amused to recreate her role as laboratory assistant.


Chapter 25 - Jeanne

While Antuniet and the apprentices attempted to carry on their work, Jeanne took her turn posing. She was to stand before the furnace holding out her hands as if carrying a sealed crucible to be placed in the blaze. At first she’d been afraid she’d be asked to hold one of the heavy vessels while Hankez sketched and frowned and scribbled color studies in pastel. But before her arms even had time to become tired, she was told, “Enough. I have the hands. And you may sit now for the head study.”

It was hard not to smile at the peremptory commands. It wasn’t simply that Olimpia Hankez was famed enough that people put up with it. It was that you understood you were in the presence of a master who wouldn’t waste your time and expected you not to waste hers.

Jeanne passed the time by trying to recapture her thoughts and feelings from the days the painting was meant to portray. Scarcely two years past and it seemed like another age entirely, one when she and Antuniet were still fumbling their way toward a place where both their hearts could live. Their hearts…her eyes went, as always, to the irregular crimson stone that lay on Antuniet’s breast. I don’t know if it will come through the fire, but it’s yours, if you will have it. She had been speaking of the stone and her heart both. She watched Antuniet straighten momentarily and stretch to ease her back. They were still going through fires, but now they entered them together.

“Perfect.” Maisetra Hankez set down her tools and signaled an end to the sitting. “You captured the spirit of transformation I was looking for.”

Jeanne stood and stretched in echo of Antuniet’s gesture. “May I see?”

The painter examined her critically. “If you wish. Not everyone cares to.”

What sort of warning was that? Jeanne waited until Maisetra Hankez had cleared her things away then stood before the easel where several sheets of paper were clipped with sketches in various levels of detail. The last one, still commanding the center of the space, was in many ways the simplest. Only a few spare lines in pencil, without any of the color that was roughed in on the more complete ones. But Jeanne could see what Hankez had meant. The expression that had been captured showed none of her private thoughts, but said plainly, we will come through the fire and we will be transformed.

Jeanne let out an admiring sigh. It would be almost insulting to praise Maisetra Hankez’s skill. This went beyond mere talent. She peered more closely at some of the other drawings. It was like a child’s puzzle blocks with little bits of a larger picture scattered here and there. An alembic, a mortar, a pair of hands grinding, the play of light from the furnace on a faceless figure who was working the gears for the alignment.

There were a few head studies as well, but not ones intended for the larger arrangement. These seemed to be quick sketches, snatched at a moment’s whim when the subject was unaware. There was one of Antuniet frowning over some problem. Another capturing a rare expression of tenderness that made you wonder what she’d been gazing at in that moment. There were several of Anna: laughing, studious, biting her lip over some perplexity, and one simply staring thoughtfully into space. The last was finished almost to the point of being a portrait, perhaps from the length of time available, though it was barely larger than thumb-sized. It had that captivating quality of Hankez’s best work.

hrj: (Default)

Originally published at Alpennia.com. You can comment here or there.

This set of tags finished up the Historic Cross-dressing group. The permanent tag-essay page can be found here. These individuals sit at the intersection of both gender and sexuality transgression. A woman (or someone that society assigns as female) might choose to pass as male temporarily or live as a man long-term for a variety of reasons. Safety was one obvious motivation, but economic advantage was a far more common one. Pre-modern society didn't even pretend to the concept of equal pay for equal work. The same work would be compensated much higher if performed by a man, and that's before considering entire professions restricted to men. There are extensive records of women passing as men to enter the military, including many who were only discoverd after death. The individuals listed here only scratch the surface.  In some cases, the cross-dressing was done openly to invoke male military authority (as for Jeanne d'Arc) rather than as a disguise.

Historic Cross-Dressing: Military

  • Angélique Marie Josèphe Brulon - 18th century French woman who cross-dressed to serve in the army.
  • Anna Lühring - 18th century German woman who cross-dressed to serve in the military.
  • Anne Jane Thornton - 19th century Irish woman who cross-dressed to serve in ihe military.
  • Antoinette Berg - 18th century German woman who cross-dressed to join an English regiment in the Netherlands against France.
  • Catharin Rosenbrock of Hamburg - 18th century German woman who cross-dressed to serve in the military.
  • Catherine Louise Vignot - 18th century French woman who cross-dressed to serve in the military.
  • Christian Davies - 18th century English woman who cross-dressed to enlist in search of her husband.
  • De Bredashe Heldinne - Fictionalized biography of 18th century Dutch woman Maria van Antwerpen (q.v.).
  • Deborah Sampson (Robert Shurtleff) - 18th century American woman who cross-dressed to serve in the army.
  • Duchess of Chevreuse - 17th century French woman who cross-dressed to take a military role.
  • Duchess of Longueville - 17th century French woman who cross-dressed to escape prison in the context of military service.
  • Eleonore Prochaska - 18th century German woman who cross-dressed to serve in the military.
  • Félicité and Théophile Fernigh - 18th century French women who openly cross-dressed to serve in the French National Guard.
  • Francoise Després - 18th century French woman who cross-dressed to serve in the military.
  • Hannah Snell - 18th century English woman who cross-dressed to serve in the army. After discovery she became something of a celebrity icon.
  • Hendrik van de Berg - Woman in 1660s Netherlands who joined the army in male disguise at the urging of another woman who did so.
  • Isabella Geelvinck - 17th century German woman who worked cross-dressed as a military cook.
  • Jeanne d’Arc - 15th century French woman who cross-dressed openly for the purpose of taking a military leadership role. Her trial testimony indicates she may have had a non-binary identity.
  • Madame Montpensier - 17th century French woman who cross-dressed to take a military role.
  • Madame Poncet - 18th century French woman who cross-dressed to serve in the army.
  • Maria van Antwerpen/Jan van Ant - 18th century German woman who cross-dressed to serve in the military in the Netherlands.
  • Mary Anne Talbot - 18th century English woman, forced to accompany her husband in the military in disguise as a man.
  • Phoebe Hessel - 18th century English woman who initially cross-dressed to accompany her father in the army, then entered a combat role.
  • Princess of Condé - 17th century French woman who openly cross-dressed to take a military leadership role.
  • Renée Bordereau - 18th century French woman who cross-dressed to serve in the military.
  • Rosalie von Bonin - 18th century German woman who cross-dressed to serve in the military.
  • Sarah Emma Edmonds - 19th century American woman who cross-dressed for military service.
  • Thérèse Figueur - 18th century French woman who cross-dressed to serve in the army.
  • Trijntje Simons/Simon Poort - Woman who cross-dressed to join the military (18th c?, Netherlands) and received full military honors at death.
  • Vicomtesse Turpin de Crissé - 18th century French woman who cross-dressed to serve in the military.

Historic Cross-Dressing: Female Husband

Living as a man (in whatever profession) created the potential for romantic or erotic encounters with women, and this naturally led to marriage in many cases. It is not knowable (and perhaps not always meaningful) whether they would identify today as transgender, or whether passing as a man was a deliberate strategem to enjoy a same-sex relationship, or whether marriage was simply seen as a part of the "disguise". The cases where we know details of the motivations cover a broad territory.

  • Barbara Hill (John Brown) - 18th century English person born Barbara Hill and living as a man (John Brown) recorded as having married a woman who continued the relationship after the matter became public.
  • Henri Estienne - 16th century French writer who recorded the trial an execution of an (unnamed) assigned-female person who was discovered living as a man, married to a woman.
  • Ilsabe Bunkens - 17th century German woman who passed as a man and twice married a woman.
  • Jeanne Bonnet - 19th century American woman who cross-dressed (possibly overtly?) and living in a committed relationshp with a woman whom she’d persuaded to leave prostitution.
  • John Chivy - 18th century English person living as a man, discovered after death to have female anatomy. John was married to a woman for 20 years.
  • Journal of Montaigne’s Travels in Italy by Way of Switzerland and Germany (Michel de Montaigne) - Travel journal describing a 16th century incident in Switzerland where a group of women together started living as men. One married a woman.
  • Katherina Hetzeldorfer - German 15th century person assigned-female who lived as a man, including traveling with a women identified as wife. Trial records for various gender-transgression and sexual assault issues include details of sexual activity.
  • Milton Matson - 19th c American, assigned-female, arrested for passing as a man and being betrothed to a woman with an implied sexual relatoinship.
  • Sarah Paul (Samuel Bundy) - 18th century English woman who passed as a man for economic reasons and married a woman who was aware of the disguise and who, after some legal quarrels, chose to continue living with her after public discovery.
  • The Female Husband (Henry Fielding) - 18th century fictionalized biography of the real-life Mary Hamilton. In the fiction, Hamilton was seduced by a woman but after being abandoned by her, began living as a man and had several sexual relationships with women, including marriage in some cases.

Historic Cross-Dressing: Passing/Transgender

This group collects non-military cases where marriage was not a defining aspect of the individual's story (although some of them did marry women), and where there are significant transgender aspects to the person's story.

  • Anne Grandjean - An 18th century French woman who, when she confessed to a priest that she was in love with a woman, was told that it meant she must actually be a man. Anne lived as a man for a while and married a woman, but later the authorities changed their mind about her.
  • Catalina de Erauso - A 17th century Basque person, assigned female, who fled a convent and lived as a man, including spending time in the military in the New World. Late in life, Catalina was given Papal permission to continue living as a man.
  • Chevalière d'Eon - A 17th century French person who lived variously as a man and as a woman at different times. D’Eon was, by some, believed to be properly assigned as female, and so returning to “proper gender” after passing as a man. Post-mortem examination revealed d’Eon to be physiologically male.
  • Des Hermaphrodits (Jacques Duval) - A French (1612) medical treatise that discusses cases on the lesbian/transgender intersection.
  • Elena/Eleno de Céspedes - 16th century Spanish person, assigned female, who began living as a man at ca. 18 years of age and at one point received a court ruling of male status, allowing Eleno to marry a woman. This was later reversed with ensuing complications.
  • Ellen Tremayne/Edward De Lacy Evans - 19th century Irish immigrant to Australia, assigned female, who lived as a man in Australia, including marrying three women.
  • Henrikje Verschuur - 18th century Dutch woman, impatient with female social roles who cross-dresses, enlists in the army, and enjoys sexual relations with various women who are aware of the disguise.
  • James Miranda Barry - 19th century Irish person, assigned female, (Margaret Ann Bulkley) who lived as a man to study medicine and continued as such until death.
  • Medicinal Dictionary (Robert James) - 18th century medical text that discusses cases of women living as men or having sexual relations with women.

Historic Cross-Dressing: “Transvestite Saints”

The biographies of the "transvestite saints" of the early Christian era were almost certainly highly fictionalized, although they accurately depicted some of the struggles around gender in the early church. More interesting are the medieval women whose lives echo those earlier fictions. I've grouped them together because of this thematic similarity  even though the early legends more properly belong in the "literary" category.

  • Agnes of Monçada - 15th century Spanish(?) woman who cross-dressed as a man to life as a holy hermit. Her story is similar to the semi-fictional biographies of “transvestite saints” from the early Christian era.
  • Angela of Bohemia - 12th century sister of King Ottokar I of Bohemia who fled an unwanted marriage in male disguise and became a nun. Her story is similar to some semi-fictional saints lives from the early Christian era.
  • Christina of Markyate - 12th century English woman who cross-dressed to flee an unwanted marriage and became a nun. Her story is similar to some semi-fictional saints biographies of the early Christian era.
  • Juana de la Cruz - 15th century Spanish woman who cross-dressed to flee an unwanted marriage and became a nun. Her story is similar to some semi-fictional saints biographies of the early Christian era.
  • Pope Joan - Legend of a 9th century woman who cross-dressed to take up a (male) religious profession and eventually became pope but was discovered when she gave birth. The legend has some similarities to the “transvestite saint” genre.
  • Saint Anastasia - 5th century Byzantine/Egyptian saint said to have cross-dressed to join her husband in a monastery.
  • Saint Athanasia of Antiochia - 9th century Syrian saint who cross-dressed to live as a holy hermit.
  • Saint Eugenia - 3rd century Roman saint said to have cross-dressed to become a monk and later abbot. Her disguise was uncovered when a woman accused Eugenia of fathering her child.
  • Saint Euphrosyne - 5th century Egyptian saint who cross-dressed to enter a monastic life under the name Smaragdus.
  • Saint Hildegund von Schönau - 12th century German woman. As a child, she was dressed as a boy for safety when accompanying her father on pilgrimage and later retained the disguise to become a monk. Her story parallels those of the more fictional “transvestite saints” of the early Christian era.
  • Saint Margaretha - Mentioned as a cross-dressing saint, but I haven’t found further details. This is not the most famous Saint Margaret (of Antioch). Possibly the same as Saint Pelagius.
  • Saint Marina - Egyptian saint (no date give, almost certainly entirely fictional) who was raised as a boy in order to accompany her father when he entered a monastery. She became a monk in turn. When accused of fathering a woman’s child, she left the monastery to help raise the child.
  • Saint Pelagius - 4/5th century Egyptian saint (probably apocryphal). Her story begins as Margaret, a courtesan who, after she converted and was renamed Pelagia, cross-dressed under the name Pelagius to become an ascetic monk.
  • Saint Thecla - Roman woman converted by Saint Paul to whom he gave the authority to preach after she baptizes herself and puts on male clothing.
  • Saint Theodora - 4/5th century Egyptian legend of a woman who (among other adventures) cross-dressed to enter a monastery and was exiled when accused of fathering a child, whom she then raised. (There is also a legend of a 4th century Egyptian Saint Theodora who briefly exchanged clothes with a man to escape prostitution. These may be versions of the same legend.)

(I've skipped the place-holder tag lists this time because I'm publishing the permanent page simultaneously.)

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Originally published at Alpennia.com. You can comment here or there.

I posted this in LiveJournal back on April 21, 2016. Yeah, these are the thoughts I was already having 8 months ago. I think it needs reposting. Everyone has their own completely valid reaction to celebrity deaths. This is mine.


There is nothing special
About this year, these deaths.
Time passes; lives end.
I was five when Kennedy was shot.
My mother sent me to school saying,
"This is why the teachers may cry."
Years later she told me that I replied,
"Why is this death worse than every other death?"
Time passes; lives end.
Some in peace, some in violence,
Some in relief, some in triumph.
There is nothing special
About this year, these deaths.
When I was five, those who died
Were my parents' heroes,
My grandparents' companions.
They were old.
Old people die.
But for the lucky,
We live to see the day
When those who die are our heroes
Our companions.
It isn't right that they die,
Because old people die,
And we aren't old.
We can't be old.
Ask a five year old, "Who died today?"
Who died last month,
Who all the deaths were in this year of years.
A five year old will say,
"Why is this death worse than any other death?"
These aren't their heroes, their companions.
The lens moves on across the years and magnifies.
There is nothing special
About this year, these deaths.
Time passes; lives end.
Some too early; some too late.
Magnified by our attention.
We are lucky, who live to see our heroes die.
We live.

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